As the house lights dimmed at the Bellamy Theater this past weekend, a familiar, haunting chant rose, transporting a sold-out audience from the heart of Pine Bluff straight to the African savanna. While the performers on stage were young, the emotions they stirred were deeply nostalgic, proving that the “Circle of Life” remains as relevant today as it was decades ago.
The Arts & Science Center for Southeast Arkansas’ production of Disney’s “The Lion King Jr.,” which ran Thursday-Sunday, was a high-energy theatrical feat that captured the hearts of a full house. From the moment Rafiki (Avery Marie Martin) beckoned the animals to Pride Rock, the audience was swept up in a story of legacy, loss and the courage to find one’s place in the world.
Under the visionary direction of Emily Burris, making her directorial debut, the production excelled in its technical execution. The stage lighting, designed by Briar Thompson, bathed the Pridelands in warm ambers and cool violets, heightening the drama of every scene from the tension of Scar’s cave to the vibrant energy of the jungle.
The choreography, crafted by Grace McKissic, was a standout highlight. The young ensemble moved with synchronized grace, keeping the audience leaning forward in their seats, dancing and clapping along.
The cast delivered performances that felt far beyond their years. Joven Hamlet and Lily Jennings brought a touching maturity to the roles of Simba and Nala. At the same time, the younger versions of the characters — played by Addie Ashcraft and Hazel Thompson — captured the infectious curiosity and “can’t wait to be king” spirit that defines the first act.
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However, no trip to the jungle is complete without a bit of levity, and the duo of Timon (Olivia Thompson) and Pumbaa (Violet Jennings) did not disappoint. Their comedic timing was impeccable, earning roars of laughter from the audience during their rendition of “Hakuna Matata.” Their chemistry provided the perfect counterbalance to the darker schemes of Brandt Lunsford’s chillingly effective Scar.
Behind the scenes, the production was a massive community effort. Music Director Melody Gere, affectionately known as Mama Mel, led the cast through a complex score of Elton John and Tim Rice classics, ensuring every harmony rang true.
In her director’s note, Burris thanked the “dream team” of volunteers, parents and staff who spent months building sets and sewing costumes to bring the Pridelands to Pine Bluff.
As the final notes of the “Finale” faded, the cast took their bows to a standing ovation.
Highlights from the stage play can be viewed on YouTube.
